And like the character in ‘The Road Not Taken,’ oftentimes, we are disappointed that we cannot hold on to, and experience the consequences of every opportunity that is presented to us. This is experienced literally: in the roads we take and the routes we walk daily, and figuratively: when we come to points in our lives where we must make decisions for our next steps, based on the opportunities presented to us. We as people go through many circumstances and experiences in our lives, and one of them is choosing between two (or more) paths. The first two lines of this stanza introduce the dilemma that every human faces, not once, but multiple times in his or her life the dilemma of choice. Let’s thoroughly analyze the lines and their meaning below. Lines three through five, express that the individual is trying to see as far as he can down each road, to help him decide which one he should choose to take. We basically find ourselves observing a very important moment, where he has to make a decision that is evidently difficult for him. Line two is hasty to display the theme of regret, by revealing that the individual is “sorry” before he even decides which road to take. ‘A Road Not Taken’ opens with strong imagery, because of the diction used to depict two physical roads separating from each other in “a yellow wood.” It is observably a forest that is showcasing the colors of autumn. In hindsight, his regret is everlasting in this case point. The future self will regret first his decision about taking the road less traveled on. This self-realization is pathetic and ironic in itself. The grassy roads and yellow woods represent the present as the individual views from a future perspective. Frost’s take on this is slightly complicated. ‘The Road Not Taken’ actually steers clear of advising on selecting a definitive path. Since humans are free to select as per their will, their fate is unknown to them. Similar forks are representative of everlasting struggle against fate and free will. The archetypal conundrum is the primary attraction of the poem, readers instantly relate to their personal experiences.įorks and woods are used as metaphorical devices relating to decisions and crises. Marrying elements of form and content, arresting artistic phraseology and metaphors, the poem is mostly read without being understood. Robert Frost’s poetic masterpiece is arguably the most infamously misunderstood poem as of yet. The individual concludes on a melancholic note of how different circumstances and outcomes would have been, had it been the “other” path. Since his current path will bring upon separate paths in itself, disallowing any consequent reversal. The individual comforts with a thought about returning, be if his path is unsuitable for him, yet in hindsight, he’s aware of the futility of such thought. In the poem, the individual arrives at a critical juncture in his life, arriving at crossroads at last near “a yellow wood.” As per him, the paths are equally well-traversed and yield anonymous outcomes. ‘The Road Not Taken’ by Robert Frost describes how the speaker struggles to choose between two roads diverging in the yellowish woods on an autumn morning. A popular, pleasantly misconstrued poem since its release, its simplicity and way with words demonstrate the skill of Frost’s pen. It is Robert Frost’s first poem in his book “Mountain Interval” (1916). The popular belief is that Frost meant for this poem to be about hope, success, and defying the odds by choosing a path well, “less traveled by.” On the other hand, if the poem is reviewed, it is quite obvious that it has fairly the opposite connotation. With this poem, Frost has given the world a piece of writing that every individual can relate to, especially when it comes to the concept of choices and opportunities in life.Ī majority of the time, this poem is quoted and used with an interpretation that is not exactly “correct”. ‘The Road Not Taken’ by Robert Frost is quite a popular poem unfortunately, however, its popularity comes mainly from the simple act of misreading.
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